Predrag Gosta is emerging as one of the most exciting conductors in the Southeastern USA. Recognized for his exciting performing style and skilful leadership under variety of settings, including orchestra, chorus, opera, ballet or historical performances (early music), Gosta currently resides in Atlanta, where he leads several ensembles, including the renowned period instrument orchestra, New Trinity Baroque, and the Orchestra of the Gwinnett Ballet Theatre.

Maestro Gosta studied conducting in the United States, and pursued additional training in Russia, working with some of the most distinguished teachers of our time, such as Vladimir Ponkin of the Tchaikovsky Conservatory in Moscow, and Ennio Nicotra.

Predrag has been featured on both the concert and the operatic stage equally as a conductor, vocal soloist, and harpsichordist. He is a regular presenter of master classes and lectures, and is an active recording artists.

To learn more about Maestro Gosta, please explore this website further. We hope that you will enjoy!

What the Press has to say:
[click here to read more reviews]

"...In recent seasons, conductor-organist Predrag Gosta and the period-instrument band have delivered bracing, often illuminating readings from the century or two before Mozart was born... 'Eine kleine Nachtmusik,' a little evening serenade, got a balanced, zesty performance. As in the Divertimentos nos. 1 and 3 - also known as Salzburg symphonies - Mozart’s tunefulness flows like water from a spring, inexhaustible and pure, yet a tiny twitch in the harmony can suggest a change in mood or undercurrent of tenderness, melancholy, even despair.Gosta and his players were alert to these nuances... in the fast movements they touched on the exuberance of a life that, seemingly, could never end..." (The Atlanta Journal-Constitution)

"... New Trinity Baroque, led by conductor Predrag Gosta, takes a renegade tact, dusting off obscure scores and... finding life in them." (Gramophone)

"... the music was hauntingly beautiful, and sensitively conducted and performed. The voices and choir sang so perfectly in tune that many harmonic overtones thrilled the ear..." (The Pipeline)

Next Project:
CLICK HERE TO SEE MAESTRO GOSTA'S CALENDAR

 

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